'DOGGOD' sees L.A. WITCH pushing their moody garage-noir sound into deeper, darker territory. Written in Paris and recorded at Motorbass Studio, the album draws on post-punk restraint and gothic atmospherics without losing the band’s signature grit. Where their earlier records leaned into smoky psych and dusty Americana, this is a more spectral evolution—cold, charged, and devotional in tone. Across ten tracks, they channel themes of obsession, martyrdom, and unwavering loyalty into a sonic landscape that is both spiritual and sinister. It’s a record shaped by love and submission, inspired by the symbolic ties between the divine and the dog—two mirrored forces fused in the palindrome that gives the album its name.

From the icy minimalism of “Icicle” to the pulsing devotion of “777” and the brooding reverie of “Eyes of Love,” L.A. WITCH explore the sacred and profane with equal reverence. Sade Sanchez’s haunting vocals cut through waves of chorus-drenched guitar, anchored by Irita Pai’s hypnotic bass and Ellie English’s locked-in rhythms. The result is both meditative and raw, tethering romance to ritual and doom. 'DOGGOD' is not just a stylistic shift; it’s a bold reimagining of their ethos—blending death-rock chill with sensual grit, and offering something that feels ancient, aching, and dangerously alive.

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