The soundtrack to Steve Hoover’s documentary 'Almost Holy: Original Motion Picture Soundtrack' follows a story shaped by poverty, addiction and social upheaval in post-Soviet Ukraine. The film centres on pastor Gennadiy Mokhnenko and his work with homeless, drug-addicted young people at the Pilgrim Republic rehabilitation centre, including his controversial practice of forcibly taking them off the streets. The score by Atticus Ross, Leopold Ross and Bobby Krlic meets this complex subject without easy sentiment, building an uneasy atmosphere that reflects the tension between rescue, coercion and survival.

Pounding electronic rhythms, reverberating drones, soaring synths and discordant textures move between slow-burn unease and forceful, almost bombastic surges. Rather than simply underline the images, the compositions create dense sonic environments of their own, shifting between ominous restraint and overwhelming intensity. Krlic’s cavernous, unsettling tones sit alongside the Ross brothers’ more rhythmic, metallic passages, giving the record a varied but coherent shape. At once atmospheric and confrontational, 'Almost Holy: Original Motion Picture Soundtrack' works as a stark companion to the documentary and as a self-contained listening experience, carrying the film’s human reality into sound without offering a neat resolution.

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