Born from a shared fascination with place, sound, and unease, ‘Eternal Stalker’ unfolds as a harrowing sonic document shaped by industrial space and nocturnal atmosphere. Merzbow and Lawrence English meet on equal ground, drawing from field recordings captured inside a vast factory complex in remote northern Queensland. The environment seeps into every movement, with the glow of smelters, grinding machinery, and residual hum forming the raw material for a work steeped in liminality and tension. The title nods toward a cinematic vision of alienation and suspended reality, mirrored here through sound rather than image.

Across seven compositions, ‘Eternal Stalker’ operates like a slow-moving dystopian opera, balancing physical noise with vast, unsettling space. Merzbow channels mechanical aggression into dense textures that feel corroded and unstable, while Lawrence English shapes the recordings into immersive environments heavy with dread and stillness. Rather than overwhelming through volume alone, the album sustains pressure through pacing, repetition, and erosion, allowing silence and decay to carry as much weight as distortion. The result is a portrait of ruined futures and industrial ghosts, where sound becomes both landscape and narrative. ‘Eternal Stalker’ stands as a powerful collaboration, capturing an uneasy world that feels suspended between collapse and transformation.

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