Caterina Barbieri’s ‘Myuthafoo’ emerges as the sister album to her acclaimed ‘Ecstatic Computation’, revealing a parallel universe of ideas conceived during the same creative period. Both records explore Barbieri’s fascination with pattern, perception, and expansion—guided by playful sequencing processes that unravel her deep interest in time, memory, space, and emotional architecture. Written while she was touring extensively, ‘Myuthafoo’ reflects a shift toward a more nomadic, reactive workflow, shaped directly by the energy of live performance.

Using the Orthogonal ER-101 modular sequencer, Barbieri manually programmed evolving patterns and fed them through a constellation of oscillators and noise generators, experimenting in real time. Motifs that resonated with audiences were set aside, allowed to stretch, breathe, and transform organically over months of performances. This method, inspired by her fascination with cosmogony, mirrors the way small origins bloom into vast structures—music expanding like a self-generating universe. ‘Myuthafoo’ gathers these luminous threads into a single atmospheric statement: a radiant, exploratory work that deepens and complements the world of ‘Ecstatic Computation’ while opening new pathways in Barbieri’s ever-expanding sonic cosmos.

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