On their third album ‘Half Eaten By Dogs’, The Serfs sharpen their dark vision with a collection that’s both danceable and desolate. Rooted in Cincinnati’s thriving underground, the trio filters post-punk and industrial grit through a distinctly Midwestern lens, channeling the haunted pulse of Cabaret Voltaire, Suicide, and Skinny Puppy while carving out a space uniquely their own. Machine-driven rhythms and scorched guitar riffs collide with icy synth textures, woodwind flourishes, and spectral saxophone, creating a record that thrives equally in the shadows of the dance floor and the solitude of late-night listening.

From the motorik propulsion of “Order Imposing Sentence” to the skeletal pulse of “Cheap Chrome” and the siren-drenched paranoia of “Suspension Bridge Collapse,” the album traverses a spectrum of tension and release. “Club Deuce” revels in darkwave seduction, while “Spectral Analysis” guides listeners down a doomed highway with ghostly saxophone tones. By the time closer “Mocking Laughter” washes in like cinematic end credits, the record’s expansive scope is undeniable. ‘Half Eaten By Dogs’ captures The Serfs at their most intentional and immersive, a bold fusion of industrial atmosphere, post-punk urgency, and psychedelic melancholy.

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