Grimy, frantic, and darkly absurd, ‘Street Worms’ announced Viagra Boys as a band operating entirely on their own twisted wavelength. The debut album unfolded like a reckless late-night drive, fuelled by pounding basslines, relentless drums, and Sebastian Murphy’s manic, stream-of-consciousness delivery. Moving between sleazy post-punk grooves and feral punk aggression, the record lurched from moments of raw propulsion to sudden drops into chaos, capturing a sense of disorientation that felt both comic and unsettling. Nothing stayed still for long, and that instability became part of its appeal.

Beneath the humour and grotesque imagery, ‘Street Worms’ cut deep into themes of alienation, masculinity, consumer spectacle, and the hollow performances of modern life. The album treated existence as both joke and nightmare, exposing the absurdity of trying to appear authentic in a world built on illusion. Viagra Boys balanced satire with menace, turning sleaze into commentary and repetition into hypnosis. The result was a debut that felt immediate and fully formed, staking out new territory within punk and post-punk without nostalgia or restraint. ‘Street Worms’ didn’t just introduce Viagra Boys — it carved out a space that only they could occupy, equal parts uncomfortable, hilarious, and disturbingly sharp.

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