On 'Death is Nothing to Us', Fiddlehead inaugurate a defiant new chapter, forging a record that feels both cumulative and invigorating. As grief and introspection have threaded through their past two albums, here those themes crystallize: the pain, confusion, questioning, and quiet resilience that accompany loss. Producer Chris Teti’s punchy approach captures the band’s live ferocity while sharpening the clarity of each riff, breakdown, and vocal turn. Pat Flynn’s voice—equal parts roar and vulnerability—guides the listener through existential terrain, weaving in literary reference, emotional confession, and communal catharsis.

Over twelve songs in around 27 minutes, the album balances urgent, melodic hardcore with echoes of '90s alternative and emo intensity. Opener “The Deathlife” crashes in as a statement of intent; “Sullenboy” wrestles with despair via fragile melody; “Going to Die” closes with a defiant affirmation of life despite grief. Other cuts, like “True Hardcore (II)” featuring Justice Tripp and “The Woes,” deepen the album’s communal sensibility, while tracks such as “Fifteen to Infinity” bring soaring textures and emotional release. 'Death is Nothing to Us' doesn’t pretend grief has answers—it listens to it, holds it, and finds a way forward within it.

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