Composed in Gothenburg and recorded within the vast acoustics of Copenhagen’s Marble Church, ‘Dead Magic’ captures Anna von Hausswolff at her most elemental and transcendent. Performed largely on the church’s monumental early-20th-century organ, the album channels the physicality of breath, space, and stone, transforming sacred architecture into an instrument of emotional force. Joined by musicians Karl Vento, Joel Fabiansson, Filip Leyman, Ulrik Ording, and David Sabel—alongside Úlfur Hansson’s haunting string arrangements—Anna von Hausswolff shapes compositions that feel like ceremonies in motion. Randall Dunn’s production amplifies the album’s raw power, grounding each piece in atmosphere thick with reverence, dread, and intensity.

Across its movements, ‘Dead Magic’ transcends genre, rejecting conventional labels in favour of something more primal: a music of spirit, ritual, and deep human instinct. These songs unfold like rites of passage—cycles of death, rebirth, illumination, and surrender—built from drones, crescendos, and wordless incantations that evoke both the intimate and the cosmic. Every moment feels carved from the body and the earth, from memories that linger like shadows. As the album rises and collapses in waves, Anna von Hausswolff delivers a work that stands as a dark crystal of emotion, capturing the extremities of life and its absence—forever etched into vinyl’s enduring surface.

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