Peeping Tom’s self-titled 'Peeping Tom' is Mike Patton’s most audacious flirtation with pop—though filtered through his distinct lens of chaos, sophistication, and sonic collage. Conceived over six years and crafted through long-distance collaborations, the album merges trip-hop, hip-hop, electronic, and rock elements into a genre-defying, darkly seductive soundscape. Patton composed each song envisioning specific collaborators, who then remotely contributed their parts—resulting in an eclectic fusion of minds and moods.

Featuring performances from Norah Jones, Kool Keith, Massive Attack, Amon Tobin, Bebel Gilberto, Dub Trio, and Rahzel, among others, 'Peeping Tom' bends accessibility into something thrillingly strange. Tracks like “Mojo,” “Sucker,” and “Kill the DJ” showcase Patton’s ability to reimagine pop with cinematic tension and wry humor, while “Getaway” and “Don’t Even Trip” reveal his mastery of contrast—lush melody against abrasive texture. It’s a record where experimentation meets pleasure, and pop mutates into something deliciously off-center. With 'Peeping Tom', Mike Patton proves that even his version of mainstream is an unpredictable trip through modern sound’s most dangerous corners.

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