Operating at the intersection of confrontation and control, HIDE delivered one of their most punishing and uncompromising statements with 'SPIT OR SWALLOW EVERY SOUL WILL TASTE DEATH'. The album pushed their practice of electronic extremity further into physical and psychological territory, collapsing noise, rhythm, and performance into a single, suffocating form. Rather than offering songs in any traditional sense, the record functioned as a sustained assault, where distortion, repetition, and vocal manipulation became tools of coercion and release.

Built from harsh electronics, industrial percussion, and corrosive sound collage, 'SPIT OR SWALLOW EVERY SOUL WILL TASTE DEATH' refused neutrality. The music was rigid, violent, and ritualistic, designed to provoke bodily reaction as much as intellectual response. HIDE treated sound as an instrument of pressure, stripping away comfort and exposing power dynamics embedded in control, consumption, and submission. Their background in performance art and visual media informed the album’s sense of totality, making it feel less like a listening experience and more like an endurance test. Relentless in tone and intention, the record reinforced HIDE’s position within the most abrasive corners of contemporary electronic music, where confrontation is not aesthetic decoration but the core function itself.

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