Jenny Hval’s conceptual takes on collective and individual gender identities and sociopolitical constructs landed 'Apocalypse, Girl' on dozens of year-end lists and compelled writers everywhere to grapple with the age-old, yet previously unspoken, question: What is Soft Dick Rock? After touring for a year and earning her second Nordic Prize nomination, as any perfectionist would, Hval immediately went back into the studio to continue her work with acumen noise producer Lasse Marhaug.

With Marhaug, she co-produces on 'Blood Bitch', her new effort that is in many respects a complete 180° from her last in subject matter, execution, and production. It is her most focused work, but the lens is filtered through a gaze which the viewer least expects.

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