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Across its 11 tracks, \u003cstrong data-start=\"1186\" data-end=\"1194\"\u003eMETZ\u003c\/strong\u003e reassert their position not just as a force of noise, but as a band willing to evolve, challenge expectations, and turn discomfort into something transcendent.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"12\" LP - Black","offer_id":32362653351990,"sku":"SP1199","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/metz-strange-peace.jpg?v=1735347831"},{"product_id":"viagra-boys-street-worms-lp","title":"Viagra Boys 'Street Worms'","description":"\u003cp data-start=\"0\" data-end=\"606\"\u003eGrimy, frantic, and darkly absurd, ‘Street Worms’ announced \u003cstrong data-start=\"60\" data-end=\"75\"\u003eViagra Boys\u003c\/strong\u003e as a band operating entirely on their own twisted wavelength. The debut album unfolded like a reckless late-night drive, fuelled by pounding basslines, relentless drums, and Sebastian Murphy’s manic, stream-of-consciousness delivery. Moving between sleazy post-punk grooves and feral punk aggression, the record lurched from moments of raw propulsion to sudden drops into chaos, capturing a sense of disorientation that felt both comic and unsettling. Nothing stayed still for long, and that instability became part of its appeal.\u003c\/p\u003e\n\u003cp data-start=\"608\" data-end=\"1335\"\u003eBeneath the humour and grotesque imagery, ‘Street Worms’ cut deep into themes of alienation, masculinity, consumer spectacle, and the hollow performances of modern life. The album treated existence as both joke and nightmare, exposing the absurdity of trying to appear authentic in a world built on illusion. \u003cstrong data-start=\"917\" data-end=\"932\"\u003eViagra Boys\u003c\/strong\u003e balanced satire with menace, turning sleaze into commentary and repetition into hypnosis. The result was a debut that felt immediate and fully formed, staking out new territory within punk and post-punk without nostalgia or restraint. ‘Street Worms’ didn’t just introduce \u003cstrong data-start=\"1205\" data-end=\"1220\"\u003eViagra Boys\u003c\/strong\u003e — it carved out a space that only they could occupy, equal parts uncomfortable, hilarious, and disturbingly sharp.\u003c\/p\u003e","brand":"YEAR0001","offers":[{"title":"12\" LP - Clear","offer_id":32213723840566,"sku":"YR0053LPX","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/viagra-boys-street-worms.jpg?v=1768265318"},{"product_id":"bad-breeding-exiled-lp","title":"Bad Breeding 'Exiled'","description":"\u003cp data-start=\"0\" data-end=\"666\"\u003eFueled by rage, urgency, and confrontation, ‘Exiled’ marked a decisive escalation in \u003cstrong data-start=\"85\" data-end=\"101\"\u003eBad Breeding\u003c\/strong\u003e’s trajectory. As the band’s third album, it delivered 12 tracks across a taut 33-minute runtime, shaped by frustration with the political and social climate of the UK. The record channelled pressure, containment, and disillusionment into a sound that refused compromise or relief. Lyrics landed as direct, forceful statements, driven by the need to expose and rupture rather than explain. Following earlier releases issued independently and through La Vida Es Un Mus, ‘Exiled’ captured a moment where intensity outweighed refinement and immediacy became essential.\u003c\/p\u003e\n\u003cp data-start=\"668\" data-end=\"1411\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSonically, the album unfolded as a feral surge of tumbling hardcore energy. Blazing guitars collided in dense, abrasive clusters while basslines churned relentlessly beneath the surface. Drums drove everything forward with impatient force, favouring attack over restraint and locking the songs into a constant state of propulsion. Tracks felt perpetually on the edge of collapse yet remained tightly focused, propelled by repetition, pressure, and sheer physical momentum. There was little room to breathe, only fleeting moments of clarity before being dragged back into the maelstrom. Brutal and uncompromising, ‘Exiled’ embodied the idea that repression breeds eruption, capturing \u003cstrong data-start=\"1351\" data-end=\"1367\"\u003eBad Breeding\u003c\/strong\u003e at their most volatile and confrontational.\u003c\/p\u003e","brand":"One Little Independent Records","offers":[{"title":"12\" LP - Black","offer_id":31980509757494,"sku":"TPLP1477","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/bad-breeding-exiled.jpg?v=1766024372"},{"product_id":"uniform-body-the-everything-that-dies-someday-comes-back-lp","title":"Uniform \u0026 Body, The 'Everything That Dies Someday Comes Back'","description":"\u003cp data-start=\"259\" data-end=\"1030\"\u003eReturning with their second collaborative full-length, \u003cstrong data-start=\"314\" data-end=\"336\"\u003eUniform \u0026amp; The Body\u003c\/strong\u003e push their unholy alliance further into extremes on ‘Everything That Dies Someday Comes Back’. Building on the foundation of their first joint record, the duo of duos conjure a sound that fuses industrial abrasion, harsh noise, metallic riffing, and electronic beats with moments of surprising melodic clarity. Recorded with Seth Manchester at Machines With Magnets, the sessions drew on influences as disparate as Swans, Ministry, Whitehouse, and even New Order, resulting in music that oscillates between pure confrontation and bleak beauty. The title itself, lifted from Bruce Springsteen’s 'Nebraska', underscores the record’s meditation on loss, grief, and the impossibility of closure.\u003c\/p\u003e\n\u003cp data-start=\"1032\" data-end=\"1634\"\u003eThe nine tracks burn with intensity, combining manipulated guitars, noise squalls, synth-driven dirges, and vocals that shift from Michael Berdan’s antagonistic delivery to Chip King’s harrowing wail. Songs like “Penance” and “Day of Atonement” embody the project’s unrelenting aggression, while “Patron Saint of Regret” and “Waiting for the End of the World” channel a tortured emotionality beneath the chaos. By balancing terror and fleeting transcendence, ‘Everything That Dies Someday Comes Back’ cements \u003cstrong data-start=\"1541\" data-end=\"1563\"\u003eUniform \u0026amp; The Body\u003c\/strong\u003e as one of the most vital collaborations in heavy experimental music.\u003c\/p\u003e","brand":"Sacred Bones Records","offers":[{"title":"12\" LP - Black","offer_id":32972892733494,"sku":"SBA003LP","price":24.0,"currency_code":"EUR","in_stock":false},{"title":"12\" LP - Silver","offer_id":44468891255087,"sku":"SBA003LPC2","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/uniform-the-body-everything-that-dies-someday-comes.jpg?v=1759407775"},{"product_id":"red-fang-red-fang-lp","title":"Red Fang 'Red Fang'","description":"\u003cp\u003e\u003cstrong\u003eRed Fang\u003c\/strong\u003e is the formation of longtime friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, Facedowninshit, Shiny Beast), and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, \u003cstrong\u003eRed Fang\u003c\/strong\u003e stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable, fist-pumping, beer-chugging rock music.\u003c\/p\u003e\n\u003cp\u003eSince that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the U.S. with bands like The Melvins, Big Business, and The Sword, to name just a few. Residing somewhere between Black Flag and Black Sabbath, \u003cstrong\u003eRed Fang\u003c\/strong\u003e recalls a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction, all while maintaining a cohesive sound.\u003c\/p\u003e","brand":"Sargent House","offers":[{"title":"12\" LP - Black","offer_id":32541853384758,"sku":"SH015LP","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"12\" LP - Clear w\/ Silver Splatter","offer_id":52002103198024,"sku":"SH015LPCG","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/red-fang-red-fang.jpg?v=1763144448"},{"product_id":"employed-to-serve-greyer-than-you-remember-lp","title":"Employed To Serve 'Greyer Than You Remember'","description":"\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5ef2c798-b1bc-4952-a429-502be309ae15\" dir=\"auto\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" data-message-model-slug=\"gpt-4o\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp\u003e\u003cstrong\u003eEmployed To Serve\u003c\/strong\u003e’s rise has been nothing short of explosive. Starting with two bedroom-crafted EPs, they soon unleashed their full-band EP, 'Change Nothing, Regret Everything', which marked the beginning of their partnership with Holy Roar Records. Adopting a strong DIY work ethic, the band played over 100 gigs across Europe in just over a year. Recorded and mixed by Lewis Johns (Gnarwolves, Funeral For A Friend, Rolo Tomassi) and mastered by Brad Boatright (Sunn O))), Converge, Integrity), their debut full-length showcased their technical hardcore sound, refined and elevated in expert hands.\u003c\/p\u003e\n\u003cp\u003eThis confident and cohesive album explores recurring themes of self-worth, apathy, and encounters with tragic personalities. While tracks like \"Threads\" and \"No One’s Perfect, This Includes You\" display their raw, mosh-inducing hardcore roots, songs such as \"Bones to Break\" and \"As Cold as the Rest\" reveal a more expansive, cinematic edge. These diverse influences hint at \u003cstrong\u003eEmployed To Serve\u003c\/strong\u003e’s limitless potential and their ability to push boundaries within the genre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Holy Roar Records","offers":[{"title":"12\" LP - White","offer_id":32138774937654,"sku":"HRR132V","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/5771\/1414\/products\/employed-to-serve-greyer-than-you-remember.jpg?v=1736905869"},{"product_id":"employed-to-serve-the-warmth-of-a-dying-sun-lp","title":"Employed To Serve 'The Warmth of a Dying Sun'","description":"\u003cp\u003e\u003cstrong\u003eEmployed To Serve\u003c\/strong\u003e's second album, 'The Warmth of a Dying Sun', released in 2017, marks a significant evolution in the band's sound. While retaining their signature abrasive and chaotic style, the album introduces more dynamic and slower, sludgy grooves, drawing comparisons to bands like Will Haven and Pantera. Tracks such as \"Void Ambition\" and \"Good for Nothing\" exemplify this shift, blending rapid guitar work with heavy, beatdown sections. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003ca class=\"ml-1 inline-flex h-[22px] items-center rounded-xl bg-[#f4f4f4] px-2 text-[0.5em] font-medium text-token-text-secondary dark:bg-token-main-surface-secondary relative top-[-0.094rem] !text-token-text-secondary uppercase hover:bg-token-text-primary hover:!text-token-main-surface-secondary dark:hover:bg-token-text-primary group\" rel=\"noopener\" href=\"https:\/\/www.moshville.co.uk\/reviews\/album-review\/2017\/06\/review-employed-to-serve-the-warmth-of-a-dying-sun\/?utm_source=chatgpt.com\" target=\"_blank\"\u003e\u003cspan class=\"truncate\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe album's production is notably cohesive, with each track distinct yet seamlessly flowing into the next. 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